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What is a Multi-level ESL class?

Multi-level classrooms are as varied as the students in them. Most often, they include students who communicate in English at a variety of different levels. They may also be considered multi-level because they include students with different types of learning backgrounds, such as those who have learned orally and those who have learned mainly from a textbook. Students may also have different levels of literacy in their own native language. A classroom that contains some students who are familiar with the Roman alphabet and some students who are not may also be considered multi-level. Finally, the term multi-level can be used to refer to a group of students working together who range greatly in age.


Advantages and Challenges of Teaching Multi-level Classes

When faced with the challenge of a multi-level classroom many teachers do not know where to start. They fear that the preparation will take much longer, and that the students will be more demanding. Schools that have multi-level classes often have limited budgets, and teachers may fear that they will not be paid for what they are worth. However, it is only by looking at the advantages of the multi-level classroom and employing strategies to overcome the challenges, that teachers can achieve success.


Advantages of Multi-level classrooms


Students are able to learn at their own pace

Students learn to work well in a group

Students become independent learners

Students develop strong relationships with their peers

Students become partners in learning

Challenges of Multi-level classrooms


Finding appropriate teaching resources and material

Organizing appropriate groupings within the class

Building an effective self-access centre in the classroom

Determining the individual needs of each student

Ensuring that all students are challenged and interested

Enforcing English only policies when teacher is occupied and students are working in small groups or pairs

Determining the Needs of your Students

One of the first things you should do when assigned to a multi-level classroom is determine the needs of the individual members. If possible, this should be done before the first class.


There are a variety of ways to conduct needs assessment, depending on the size of the class, and your access to an office and a computer. Many schools use a standardized test for new students. While this may help teachers determine the language level of the students in the multi-level class, standardized tests cannot determine the personal needs of the individual students. For small classes it is useful to invite students into the office for a quick chat to determine what your students' objectives are (ex. improving writing skills, learning conversational English, understanding of rules and grammar). Students may not know the answer to this, so it is a good idea to create a list that they can pick from. You may give the option of picking a primary and a secondary reason. Here are some examples that could be placed in a list for students to choose from:


To improve my speaking skills

To get into college

To use for travelling

To become a future teacher

To learn the rules of grammar

To please my parents

Other__________

You should also use this time to explain to your student that there will be other students with different levels of English in the class and that you will be using partnering and grouping exercises and activities in order to meet the needs of everyone. If you don't have access to an office or classroom or you have a large class, you may want to e-mail the question to your students, or have short telephone conversations with them. When none of these options are possible, you can always set aside your first class as an intake day. If possible, stagger the start times of your students by five minutes so that you can speak to each one individually. Brainstorming in a group may also work if you have a small enough class. In a circle on the board place the words, "I need English to/for..." and ask students to volunteer their answers.


Make sure to record the needs and level of each of your students in a simple way. Keep a chart for yourself, and alter it as your students' needs change. Make a conscious effort to monitor the needs of your individual students regularly. You may find that some students feel uncomfortable acting as a peer tutor, while others feel that they are focusing too much on a skill that they will never use in the real world.


Student From Level Special needs

Julio Mexico City Low-intermediate Will be working with tourists in his job as a golf instructor. Wants to learn conversational English. Doesn't require writing skills.

Naoko Japan Advanced Wants to teach English to school aged children for a living. Has studied in English in Japan for 10 years. Wants to work with native English teacher. Poor pronunciation. (Eager to help as peer tutor.)

Glossary of Terms

cross-ability learners: Pairs or groups of students working together with varying degrees of ability or competence. More advanced learners can gain confidence and improve competence by helping and teaching lower level peers.

groupings: Different ways of putting students together (based on things such as cross-ability, like-ability, special needs, compatibility).

like-ability learners: Pairs or groups of students working together who share similar levels of ability or competence.

multi-level class: Group of students who learn and study together in one room, despite having varying levels of abilities and/or literacy backgrounds.

self access materials: Learning resources (ex. listening exercises, readers) that include instructions and answers, and are available for a student to use independently. Students in multi-level classrooms often finish small group or individual assignments and activities at different times, so it is important to have self-access materials available at all times to keep students engaged in learning.

small group activity: An exercise or game in which a small group of students can participate in and learn from. Groups can be composed in many different ways (common interest, common levels, varying levels) and changed often.

whole group activity: An exercise or game in which all students can participate in and learn from, regardless of their competence level and language ability.

Selecting Materials

Finding a core textbook for your class may help you if you have a number of students who are at a similar level of English. You may find that you need more than one level of the same textbook series. If you require more than two levels, however, using a core textbook may only make your life more complicated, and multi-level textbooks are difficult to come by. Another option is to use a theme based approach. Keeping all of your students working on activities and lessons based on the same theme is a great way of maintaining a class-like atmosphere in a multilevel classroom. Not only will this help your students feel like they all belong in the group, it will save you prep time and make you feel more organized. Follow up activities, such as games and discussions can then be based on the theme. English Club has collected a wide range of theme based lessons to save time for teachers.


Suggested Activities

Whole group Warm-up: Starting your class with a whole-group warm-up is a great way to foster a sense of community in your multi-level class.

Information gap exercises: Works great for cross-ability and like-ability pairs.

Crossword puzzles: Works well for cross-ability pairs or small groups. Despite their English vocabulary levels, each student will bring a wide variety of knowledge to the group to help fill in the puzzle.

Self-Access Materials: Make sure everything is well labelled and organized. The materials should reflect the needs and interests of the students in your class. Self-Access materials can be intimidating for students if you just have a shelf full of textbooks. It is best to photocopy many copies of worksheets and exercises. If you have students who are preparing for something such as the TOEIC test, have a file marked TOEIC Practice sheets. If your students need to improve their listening skills, have an audio shelf with an easy-to-use CD/tape player and level appropriate resources (CD's and worksheets). Rather than having guided readers, it is better to have photocopies of stories or articles with corresponding tasks (such as writing activities) stapled right to the readings. Board games, such as Word Up (comes with question cards for 5 different levels), should be viewed as an essential tool in every multi-level classroom.

Folktales: It is easy to find different levels of common folk or fairytales. These work well in children's classes, and there are even some that are appropriate for adults. If you have difficulty finding a folktale that is a suitable level, you can always rewrite one yourself and use it again and again when you teach. A local children's librarian should be able to direct you to resources that you need. The follow up activities for folktales are unlimited, but include comprehension questions, group discussions, vocabulary activities, creative writing exercise, and role-playing, all of which can be done in various groupings.

Art and images: Visual stimuli can be a great teaching tool. Use paintings as the basis for class discussions, writing assignments, and vocabulary building. Students of all different levels can participate together by describing photographs. Encourage students to bring in their own pictures and art and find ways to build lessons around them. One great pair activity that acts as a listening and speaking activity is to put students in pairs and have one of them describe a picture while the other tries to draw it. This can also be done as a whole group. Your students can choose a photo and describe it to you or another student who will try to reproduce it on the board.

Computer lab assignments: If your school has a computer lab for students to use, or if you have a computer in your classroom, allow pairs to do online English lessons with English Club's Learning Centre. Jot down the URL's of any lessons you think will be useful, or give your students free time to explore the site.

Teaching Method Strategies

Experiment with different types of groupings to find the ones that work best.

You may find that cross-ability pairs work best for certain types of activities, while like-ability small groups work better for others. If possible, use a wide variety of groupings to keep things interesting for your class.


Use a simple schedule that is similar each day.

Here is an example:


Start with a warm-up that involves the whole group.

Break part of the class off into one type of grouping (i.e. pairs) and work with part of the class on a lesson, grammar point, or activity.

Break off the class into another type of grouping (i.e. small groups) and have the other students use self-access materials.

Bring the class back together for a whole group activity/game.

Isolate students within the class who are interested in peer tutoring.

This doesn't have to be the student with the highest level of English. Your students who fall somewhere in the middle may in fact be the most valuable to you, as they strive to attain a level of competency comparable to the most advanced students. Remind your students that the best way to practice and improve a new language is to teach it to someone else.


Consider enlisting a volunteer.

Limited budgets or low enrolment are often the reasons behind multi-level classes. For this reason, it may be difficult to convince administrators or managers that you need a paid assistant. If you feel overwhelmed, consider hiring a volunteer. Finding someone who is interested in helping you with your preparation work and teaching may not be as difficult as you think. Most native English students who are going into the teaching profession will be more than willing to put in volunteer teaching hours in exchange for a reference. Once you have permission from your supervisor, you can post an ad at the local library or college, or at a teacher training centre. You may even want to suggest placing an ad on the website for the school you work at.

۰ نظر موافقین ۰ مخالفین ۰ ۱۶ بهمن ۹۴ ، ۲۱:۵۵
محمد حیدری

هوشنگ ابتهاج (ه. الف. سایه)


مژده بده! مژده بده! یار پسندید مرا 

سایه‌ی او گشتم و او، بُرد به خورشید مرا


جان دل و دیده منم، گریه‌ی خندیده منم 

یارِ پسندیده منم، یار پسندید مرا


کعبه منم، قبله منم، سوی من آرید نماز 

کان صنمِ قبله‌نما، خم شد و بوسید مرا


پرتو دیدار خوشش، تافته در دیده‌ی من 

آینه در آینه شد: دیدمش و دید مرا


آینه خورشید شود، پیش رخ روشن او 

تاب نظر خواه و ببین کاینه تابید مرا


گوهرِ گُم‌بوده نگر، تافته بر فرق فلک 

گوهری خوب‌نظر، آمد و سنجید مرا


نور چو فواره زند، بوسه بر این باره زند 

رشک سلیمان نگر و غیرت جمشید مرا


هر سحر از کاخ کرم، چون که فرو می‌نگرم

بانگ لک‌الحمد رسد، از مه و ناهید مرا


چون سر زلفش نکشم، سر ز هوای رخ او 

باش که صد صبح دمد، زین شب امید مرا


پرتو بی‌پیرهنم، جان رها کرده تنم 

تا نشوم سایه‌ی خود، باز نبینید مرا

۰ نظر موافقین ۰ مخالفین ۰ ۱۵ بهمن ۹۴ ، ۲۲:۳۹
محمد حیدری

When God created you

He knew what he would see

Someone that wasn't perfect

Or in heaven you would be.


He put you here on earth

To lead this life you live

Learning as you go

Giving what you can give.


He knew that you would stumble

And sometimes even fall

He knew that you would suffer

And in Jesus Christ you'd call.


Mistakes and bad decisions

He knew that you would make

To live and learn from them

Sometimes more than you can take.


He's had a plan for you

From the very first day

Frustrating times will be

But soon you'll see his way.


Love, hope, and faith

He'll give this all to you

Patience please my friend

How only if you knew.


The love you have inside you

All the good that you do

This does not go unnoticed

And he shall see it too.


He'll carry you if he needs to

And hold you when you pray

He knows the pain you carry

Each and every day.


What's brought you to your knees 

Some gave up on you

God will only keep around

The ones that see it through.


One day you will see

What I've been telling you

The love that he's been saving

He created just for you.

۰ نظر موافقین ۰ مخالفین ۰ ۱۰ بهمن ۹۴ ، ۲۳:۳۸
محمد حیدری
۰ نظر موافقین ۰ مخالفین ۰ ۰۱ بهمن ۹۴ ، ۱۵:۰۰
محمد حیدری
۰ نظر موافقین ۰ مخالفین ۰ ۰۱ بهمن ۹۴ ، ۱۳:۲۹
محمد حیدری

Description

Doing a person favors involves doing things that you are not obliged to do and which they should appreciate. The favor may be requested by them or may be done spontaneously by you.


The power of favors increases not only with how valuable they find your action but also how much you put yourself out to help them. When the favor takes longer, when it costs you more or inconveniences you in some way, then they should be more grateful.


They need to know this, but be careful of causing reactance by over-stating the effort you have made. Also beware of appearing too compliant as this can lead to them taking you for granted and so reducing their gratitude. The best person to point out what you have done for them is someone else they respect (although if necessary you may subtly point out what you have done for them).


Example

Sure. I'm a bit busy but I'll do that for you today.


I'm going to town. Want a ride?


Discussion

Favors use the principle of 'social capital', where they acts almost like money. When you do favours for them, you gain social capital and theirs decreases. When they do favors for you, the effect is reversed. Doing favors hence allows you to then ask favors from them at a later time or date.


We generally tend to  work on the principle of having a stable social capital that is a little positive so we can call on the help of others when we need it. If others owe us too much, then they may feel uncomfortable and blame us for this imbalance.


Doing others favors can cause problems when:


They do not value what you do for them (but still feel they owe you).

You do them so many favors they get annoyed because they start to feel they cannot pay you back.

They note that what you do costs you little, but that you tend to ask for much in return.

They think you are trying to manipulate them.

۰ نظر موافقین ۰ مخالفین ۰ ۰۱ بهمن ۹۴ ، ۱۳:۲۷
محمد حیدری

Here is some advice on what not to do when you are speaking in public or making presentations.


Don't read

Don't read things out to the audience. This means you should not read a written speech, although some who speak a lot (and long) such as politicians resort to autocues and other 'cheats'.


When you display slides you should not just read out the words--the audience can read this themselves. In fact when you put up slides with words on it is often best to pause to allow the audience to read the words (which they will do anyway, ignoring what you are saying).


Reading things out is disrespectful of your audience. It says 'You are so unimportant to me I did not learn the words'.


Don't ignore them

If you act as if the audience is not there, for example by talking to the back wall or generally with de-focused eyes, you are telling them that they are not worthy of your attention. Some speakers do this to avoid the discomfort they feel when being watched (which is often based on a fear of being judged). A few actually do feel too superior to acknowledge them and look around as if there are more interesting other things to look at.


Turning your back on audience is also disrespectful. It generally says 'You are so unimportant I can ignore you'. This can be done by accident when you turn to point at the screen behind you (this also makes you much harder to hear).


Don't slouch

A generally useful rule when speaking is to stand straight up and keep your hands out of your pockets. Hands are useful in presentations to communicate with larger gestures so those at the back get the message too.


There are some contexts where being casual is acceptable and maybe even desirable, such as at 'geek conferences', although even these have an intense desire for sharp content.


Don't um

We have a tendency to fill the gaps between phrases and sentences when we are thinking of what to say next with words and sounds like 'um', 'ah' and 'er'. This makes you sound uncertain and also makes it more difficult for your audience to understand you.


A purpose of 'ums' in conversation is to send a signal to others who might interject that you are still talking. This is not needed in public speaking as nobody is going to interrupt you.


Don't twitch

When you are nervous, this often comes out in sudden gestures and whole-body twitches. You should not look like a marionette being controlled by a poor puppeteer as this conveys your nervousness and either makes the audience empathetically nervous too or exasperated at your lack of control.


Also avoid 'verbal twitching', such as making clicks, little coughs, lip-smacking, clearing the throat, nervous laughs, biting the lip and so on. 


The best way to avoid twitching is be relaxed, and there are ways you can help this before you start. If you are still jumpy, do try to control yourself. Force yourself to stand in one position by 'planting' yourself, rather than dancing around with 'happy feet'. Hold your arms steady or slow them down rather than doing a 'windmill'.


Don't hurry

When you are nervous, a reaction can be to speed up, subconsciously trying to get to the end sooner. When you talk quickly, though, it is more likely that people in your audience will miss what you say and so become lost (and hence annoyed).


If you are conveying complex ideas, then people need time to digest them. You understand them already so may not feel the need to slow down, but the general rule is to 'talk at the speed of understanding'.


If you have slides containing text, people will try to read them. If you remove the slides before the people have finished, this will likely irritate them. One secret is to use less words. Another is to give plenty of time for the slower people to read carefully.


Don't dawdle

The opposite of hurrying is dawdling, talking slowly and casually as if you have all the time in the world. This is likely to bore people who want value from you and do not like wasting their time.


A classic method of dawdling is the digression or side comment. If you go off-topic, do so only briefly and do not ramble away about things that interest you but just leave your audience yawning.


Don't apologize

Generally avoid apology and particular when it just makes you look incompetent and uncaring. For example you should never start with something like 'Sorry but I didn't have time to fully prepare' as this tells your audience that they are unimportant to you.


If you say something that is incorrect and especially if this is pointed out by someone, then it certainly is appropriate to apologize, but in such cases do so clearly and briefly. Blustering on when you are clearly wrong only makes you look foolish.


Don't show disrespect

Always, always be respectful of your audience, even if they are rude, stupid or uncaring. First, be well-prepared. Then speak to them, not at them. Talk with authority, but not arrogance. And listen carefully to any comments you receive.


If people criticize you, even personally, do not descend into a slanging-match as you are the person who will look bad, even if you did not start it. Take the high ground. Respect their views and their right to hold them, even if you disagree profoundly with them. Ignore personal criticism. Don't lie. If you don't know, say so (and maybe promise to find out).

۰ نظر موافقین ۰ مخالفین ۰ ۰۱ بهمن ۹۴ ، ۱۲:۵۹
محمد حیدری

Mark Twain said, 'There are two types of speakers: those that are nervous and those that are liars'.

۰ نظر موافقین ۰ مخالفین ۰ ۰۱ بهمن ۹۴ ، ۱۲:۲۲
محمد حیدری
۰ نظر موافقین ۰ مخالفین ۰ ۲۱ دی ۹۴ ، ۱۶:۴۵
محمد حیدری
۰ نظر موافقین ۰ مخالفین ۰ ۲۱ دی ۹۴ ، ۱۶:۴۰
محمد حیدری